A welcoming and inclusive community theatre group, we've been proud to bring the arts to our foothills community since 1951.

We are a small but dedicated volunteer-run non-profit organisation, offering opportunities for community members to build skills in acting and production, while entertaining our community in the Blackwood area and beyond.

We are always looking for people to get involved on stage or off. Let us know if you're interested.


 

Don't miss our final show for 2026...

Low Pay Don't Pay

Written by Dario Fo. Directed by Larry Waller.

November/December 2026 production.

Hawthorn Community Centre (5 Frimley Grove, Hawthorn)

🎟️ Ready to book? Visit our Trybookings page to secure your seat for this exciting ensemble performance.

This production reimagines Dario Fo’s Can’t Pay? Won’t Pay! as a fast, funny, political, community-driven piece of popular theatre that speaks directly to a 2026 Australian audience experiencing the pressures of rising costs, economic strain, and social inequity. While the play is set in Italy, our version is modern South Australia, and although comic and chaotic, it remains anchored in real human struggle. The humour emerges from truthful desperation, not caricature. 

This is a show about people trying to survive — and laughing in order not to cry.

Director's Note

Low Pay, Don’t Pay is a bold, joyful, and sharply political ensemble comedy that places actors, audience, and action in constant relationship. Performed in the round, this production celebrates the play’s greatest strengths: its relentless physicality, rapid-fire farce, and deeply human heart. Through heightened comedy and collective storytelling, the play exposes injustice not with heaviness, but with laughter, agility, and rebellion.

Performance dates:
Saturday November 28, 3:00 and 7:30
Sunday November 29, 3:00 and 7:30
Saturday December 5, 3:00 and 7:30
Sunday December 6, 3:00 and 7:30

To register interest or find out more, contact Larry via larrywaller1@icloud.com or 0401 530 628

 


In August we staged a very successful production of Arthur Miller's The Crucible at The Tower Arts Centre. The cast was fabulous and impressed our very healthy audiences. It was a moving and thought provoking production. Terrific reviews and great responses from the audiences.

The Crucible is a gripping drama set during the Salem witch trials, where fear, suspicion and power tear a small community apart. Arthur Miller’s timeless classic explores mass hysteria, integrity and the devastating consequences of accusation and silence.

 


Our Staged Reading of Brian Fox's play - Saturday 25th July

Blackwood Players' second venture for 2026 was a staged reading of Brian Fox's play "A Relic of Old Decency". The staged reading was directed by Greg Elliott and Brian Fox assisted as acting and character coach. The play was well supported by an appreciative audience of 50. The performance took place in the RAAF Association's clubrooms at Mitcham which felt comfortable and intimate.

This production provided more opportunities for actors to act alongside the experienced Brian Fox who played the elderly AJ, a former, proud tram driver and who is now estranged from his wife and two adult children. Beren Carney was entertaining and animated as the young, optimistic AJ who was given his first chance to drive a tram at 14 by his father (Greg Elliott), then a lovesick AJ at 19 falling in love with Marge, played delightfully by Amethyst Mae (who also played AJ's daughter Alice), and then a more depressed AJ at 40 when Marge was pregnant (sensitively performed by Perrin Abbas) with their second child. Duncan Fairweather stormed on stage as Michael, the aggressive son of AJ, accompanied by Katie Adams as Rebecca, his vacant-minded wife. Christina Hagger was Tess, the carer who understood AJ's moods and who always watched out for his well being.

The play ebbed and flowed between the present with AJ moodily sitting in his chair, occasionally having to deal with youngsters teasing him and kicking balls through his window and flashbacks of moments in his life that were more tender and life affirming. AJ who appears initially as a sad, lonely man who has not been treated kindly by life becomes a man who is the cause of his and his family's ruin through his pride, fear of the world and refusal to compromise.

Blackwood Players wish to thank Brian for offering his play to be staged in a rehearsed reading. It gave our cast an opportunity to work with a man who has acted and directed, professionally and is now writing. Brian offered advice about how to interpret and deliver lines and how to vary the pace of delivery. Thank you Brian.

Many thanks to Kevin Gogler and the RAAF Association for allowing us to rehearse, and to present this play reading in their clubrooms.


Thanks to everyone who attended our season of The Visit! Here are some photos from our November 2025 production.


REVIEWS

The Government Inspector - Review (Larry Waller)

Blackwood Players Inc reimagine Gogol’s The Government Inspector, shifting the action from 19th-century Russia to an Australian outback town brimming with small-town politics, local corruption, and community quirks that will ring undeniably true to regional audiences. Terri Brabon’s adaptation proves how a classic text can be reborn in a distinctly Australian context — retaining its satirical bite while speaking directly to contemporary experience. Imperial bureaucracy is replaced by small-town power plays and property development; the humour becomes sharper, more colloquial, and culturally specific. Witty local references and Australian idioms give the satire a fresh edge. One standout line: “Corruption is like COVID. Nobody wants it. We all know it’s bad but we’ve learned to live with it.”

Read more »

Comic Potential - Review (David Smith)

Blackwood Players are a long-standing and valued member of Adelaide’s community theatre scene. This production of Alan Ayckbourn’s Comic Potential begins a decidedly new direction for the company and they have stepped out with purpose and drive. With the experienced Greg Elliott as director, the cast has realised the playwright’s exploration of where the intrusion of AI could be leading us. It largely treats the topic with light humour but there is an underlying sense of warning.

Read more »